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P.O. Box 155
Brooks, CA, 95606
USA

530 796 3388

Foxfibre® Colorganic® naturally colored organic cotton and merino wool in the form of raw spinners seed cotton, prepared sliver, yarns, fabrics, and some articles of clothing. Bred, grown, designed and produced by Sally Vreseis Fox in the USA.

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Newsletters

May Days Newsletter

Sally Fox

https://mailchi.mp/a52ae7fa78b1/may-days?e=8827d243a2

for photos use the link above

It is the middle of May and this year there is not going to be a breeding nursery. And so the photos of plants from last year's nursery are even more special. This particular plant was dug up and placed in a huge pot and it lives on, along with some of the other most spectacular plants from the nursery. And this feels special- almost like the very beginning years of this adventure- when all that I had were the ancestors of them all growing in pots that I took with me wherever I found employment. Which in those days, as a young just out of grad school woman, was awfully hard to find. For one thing the entire profession was brand new- all of a sudden farmers in the State of California needed a prescription written by someone with my training and a newly established Pest Control License to buy any pesticides or synthetic fertilizers. And secondly, there was a depression in agriculture altogether and nobody seemed to be hiring anyone. It did not help being a woman in a mainly men's profession, either. But over time, I was fortunate to have found the most amazing positions with people that I am honored to have learned so much from. In the end it worked out. But back there, with the cotton plants all in pots dragging them from job to job in the back of my old car..... I sure did not know that at the time.

There were two reasons not to plant a nursery. The unusual rains that were so dearly needed after so many years of severe drought prevented us from preparing the field with enough time to plant without going into ultra stress mode. Which I was in no mood to jump into because in order to pay for last year's nursery, even with all the sales (thank you dear customers!!!!) and the donations (thank you donors!!!!) I still had to borrow completely up to my farm's credit limit. And I really did not want to rush a breeding nursery in, in the nick of time, only to have something expensive break, and not be able to afford to fix it.  Too much of a risk to both the cotton breeding lines, and to my nerves. Which at my age, matters. 

So, my focus this year is to sell enough products to pay the loans down and prepare the area where the nursery can be planted next year. I will only be irrigating the safe green oasis evacuation pasture for the sheep. Which should help keep my farming costs down and leaves me open to visiting my customers. I want to try my best to support my commercial customers' products launches, and writing up the story of these 41 years of amazement. 

I have started taking all the story telling posts from Instagram and Facebook; reworking them and posting them on LinkedIn. In the hopes of getting back to writing some every day and then building up to continue the story from where I stopped and into the oh so devastating collapse of the textile industry as it was. And how it was that I was able to keep my seeds, a farm and keep going despite the utter calamity for just about all of us in the industry.

What kept me going, back in the beginning, and what keeps me going now, is my commitment to do everything that I can to get these cottons into the hands of the most creative and talented people. I do that by supporting my revered mill customer in Japan, Taishoboseki, and their customers who are so courageously creating and offering products of quality and depth out into the marketplace. And supporting the products of my US customers as well : Organic Threads ( who make the fabulous much loved socks!) and American Blossom Linens ( who make the beautiful sheeting! ) and all the other people and companies of integrity who support my work with purchases of yarns and fabrics in order to produce their clothing and or home goods. I will be filling the mail orders as fast as I possibly can and just keep on keeping on. And day by day pay the debt down and prepare for next year's breeding nursery.

On the website, since I last wrote a newsletter I have added the 2 lb little bags of Sonora wheat, and will be adding stoneground flour in 2 lb bags soon. 

In the gifts as a thanks for donation are some of the hand spinner's seed cottons that I love the most and think my handspinning customers will enjoy. They are all found here:  
https://www.vreseis.com/shop/donate-to-the-breeding-program-1  .

And the 10/2 Colorganic® yarns described on the options as "marled" here: 
https://www.vreseis.com/shop/102-1-lb-foxfibre-colorganiccones . These new 10/2 yarns were produced for Ricketts Indigo - which is what the photos below are all about.

From the Ikat Exhibition at The Seattle Art Museum, where these cottons that we love were exquisitely spun by Taishoboseki (out of all the Colorganic® cottons grown by Alvarez Farms in New Mexico for them, designed by me) for Rowland and Chinami Ricketts of Ricketts Indigo who were commissioned to create the opening piece. 

The photos include close ups of their work of over dyeing in particular places indigo that they had grown and fermented on their organic farm in Indiana. I consider it among the most amazing honors of my life to have contributed to such a masterpiece of art and craft. 

Viriditas Farm's role in helping to revive Sonora Heirloom Wheat

Sally Fox

https://mailchi.mp/19737d52a634/what-can-one-person-actually-do

Or : what can one person actually do, anyway?

Since the Sonora wheat came back from the being cleaned this year I have been thinking a lot about these two plus decades of growing it here on my farm. As you may know, in 1999 I met Monica Spiller after which I invited her to grow her test and seed increase plots on my farm, as I was fascinated by her project of reviving heirloom wheat. And I was heartbroken by the absolute destruction of the textile industry in the parts of the world that bothered to clean up their dye wastes. Big brands having made the decision to export the toxic waste to lands and people who did not deserve such horrors. Leaving the mills that had supplied them with fabrics for a century or more (and who had invested in chemical waste clean up) high on loan payments and low on sales streams. It was a nightmarish time and disillusionment stalked me. I was camped out on this beautiful farm in Yolo County in a travel trailer, just trying to keep my breeding program alive. Because it was illegal to breed or grow these cottons in Arizona or the San Joaquin Valley of California where I had set up research farms only to be forced to move on twice now. Leaving me emotionally as well as financially devastated. Without sales from textile mills to pay bills, funds were tight and the decades of scarcity were just beginning. But here was Monica Spiller, a woman 20 or so years my senior who had worked as a microbiologist at a research facility a few buildings down from where I had interned raising insects for research as a high school student. Who had studied and helped sleuth out the microbes responsible for the famed San Francisco Soughdough breads no less! Monica's devotion to whole grains and sourdough is legendary, her passion and hard work ethic inspirational. Retired from lab work, she was able to devote herself to this long time project. In my memory I see her out with her hand scythe harvesting plots one by one in the 107+ F days. Then she would camp by the creek to make sure that her drive out to the farm was utilized fully; her devotion to these wheats and our environment profound. So although I did not have funds free for much of anything, it seemed, I did have this land that would benefit from a grain crop rotation. Monica had turned to the heirloom wheats in the hopes of finding varieties of wheat whose taste was inviting as a wholemeal flour. In modern milling the outermost parts of the grain is removed, rendering their flavors irrelevant. But when people returned to milling them whole, many did not appreciate their taste. Especially me, I had turned to spelt as my whole grain of choice. Monica was looking to find and increase the seeds of heirloom wheats whose flavor was inviting as a whole grain. If people actually liked the flavors of whole grains, would they seek them out and eat them more often? It sounded like a great goal to me. When I got a chance to taste the one that she had increased the most seed of, Sonora, I was smitten. I tried to help out by increasing the seed of it in the hopes that more people would grow it. For its amazing complex flavor and for what I learned to be it's potential for carbon sequestering due to it’s rather massive root system. Monica shared that she had visited the lab of a soil scientist at UC Riverside who described the roots of Sonora heirloom wheat as more akin to those of perennial grasses in size and structure. Why was this so important to me, way back in the early 2000's, you may ask. Well despite Climate Change being the hot topic of the day now, it was of course the big topic for pretty much all scientists back in my youth. Those of us “in the know” were consistently brainstorming about what to do and how to do it. It is just that we thought that 40 years or 30 years away was already crisis time. The focus of course was to prevent this disaster. As had been done so successfully with the hole in the ozone. I had hoped that my cottons could and would play a positive roll (with their more robust than regular cotton's root system- yes another plus these cottons posses, along with their general pest resilience allowing for success for the very first US based cotton growers who gave organic a try), but in just a few years we went from over 8000 acres of organic soil microbiome boosting carbon sequestering production to the 20 or so acres of it on my precious farm's breeding nursery. That was a sorrowful development. And future production was not looking promising. What could be done? What could I do? Maybe a heck of a lot of carbon sequestrating could be accomplished with the perennial like root systems of heirloom wheat. Maybe those roots (which of course is what Wes Jackson's Land Institute’s Kernza® project is about, trying to get people to plant perennial grain instead of annuals, to reduce soil erosion caused by the customary disruption of the soil for annual crop production and sequester more carbon because of the carbon stored in perennial roots) would pull a bunch of carbon out of the atmosphere. Maybe it would not be at the scale that my cottons once were produced at, but anything was better than nothing. In Mediterranean climates without summer rainfall, perennial grains are not reasonable to consider anyway. But an heirloom wheat with the root system of a perennial? Maybe it could be for us in the arid west what Kernza® was promising to be in the midwest. And it was about all that I could do anyway. Under the circumstances. Starting out with 1 acre, then 3, then 20; I began growing Sonora year after year. I bought a kitchen Wolfgang Mock stone mill- that I highly recommend - and ground lots of flour up. I heard through the grapevine that I became a bit on the obnoxious side about it, perhaps. I made cupcakes and cakes and waffles and hotcakes and biscuits and talked anyone who would listen into trying it and or growing it. I would rent a table at The Hoe’s Down Farm Festival at Full Belly Farm and demonstrate milling and kept selling the flour in those little 2 lb bags. It was one of the first things I offered on my website, when it was launched. And there were these vegan bakers in New Haven, CT who whenever my friend in the valley would go home to visit her family, would bring big bags to them in her luggage. They said that it had buttery flavors that no other wheat they had found possessed. Then I talked the Davis Food Coop into carrying the whole berries in their bulk section. But one day the buyer informed me that a customer who worked for the State of California informed them that they saw vetch seeds in the wheat, and that they believed vetch seeds as contaminants were dangerous and perhaps not allowed. Wheat, like cotton, is generally grown at much larger scale than what I was planting - in the hundreds if not thousands of acres. For producers it is a lower value field crop and massive pieces of equipment that cost hundreds of thousands of dollars are used to harvest the expanses of crops. The efficiency of scale and advances in yields keeps the prices low enough to have alleviated a lot of food insecurity around the world. And the facilities that handle the cleaning of grains and preparation of the seeds are set up for tens to hundreds of tons at a time, for this reason. Not the one to ten thousand pound crops that I was producing on the three to ten acres I was growing every year now. Out of extreme generosity Ed Sills of Pleasant Grove Farms, not too far away from me- the main CCOF certified organic grain producer (they grow sunflowers, wheat, field corn, popcorn and the like) in our area had been agreeing to clean my wheat. When I asked him about the vetch seeds that were still in the cleaned wheat he said that if I wanted to get the vetch out, I needed to find another cleaner, or better yet, set up my own cleaning. I asked help from our local extension agent who took the time to educate me about all the different kinds of grain cleaning equipment as well as the size of a cleaner than would work at my scale. And then he helped me contact a manufacturer. The company making the cleaners informed me that the size of equipment that I was looking for was that normally purchased by plant breeders. And that there was an asparagus breeder in Hollister, CA who was retiring and that he might want to sell his cleaner. So, I contacted him, and ended up buying his nice midsized seed cleaning system. Which he kindly delivered, and my good neighbor Gary came with the forklift and removed from his truck. I got to learn a bit about asparagus breeding and went about setting this cleaner up. My pole barn only has a dirt floor. The cleaner required an absolutely flat surface to work correctly. The next thing I knew, I was having to pour a concrete slab to put the cleaner on. More time, more expense that I was not really able to figure out how to cover. But I wanted to supply the Davis Food Coop with this wheat. And if the vetch seed really had to be removed for them to offer it, I felt that I had to keep working on figuring this puzzle out. Finally, I had it all going, but it would take me two hours to clean 50 lbs of wheat- really clean it entirely of the vetch seeds. With lots of waste- but I could feed those screenings, as they are called, to my chickens. The Davis Food Coop would accept it at last. But what a lot of work! And it was hard to carry a five gallon bucket of wheat up to the top of the thing to pour the grain in. I really wanted this wheat to be accessible, though. I did not sell at farmer's markets, only sold wholesale and a little retail via mail order. The Davis Food Coop was the best way to allow people to have access to it. So, I stuck to it. Why was it so important to remove the vetch seeds anyway? The UC Cooperative Extension agent told me that people who were allergic to Fava beans were also allergic to vetch seeds. And vetch is the same size as the wheat, and thus normal cleaning does not remove it. Vetch is a popular cover crop on organic farms. I never even planted vetch, but the seeds are all over the place and these plants would just come up as volunteers. Eventually I found another CCOF certified organic seed cleaner who had what is called an “optical eye”. This is the kind that could remove the vetch seeds. But at a much higher cost. But still way cheaper than me spending 2 hours on cleaning 50 pounds! In time I sold the cleaning system to the great people at the Mendocino Grain Project- a group also inspired by Monica’s work. Then some of the larger organic grain growers shared that among the list of weed seeds that the USDA does not allow, vetch is not even listed! What the heck was that escapade all about then? One day, some years after all these learning curve adventures in the world of wheat cleaning, while I was delivering a batch of Sonora wheat to the Davis Food Coop I got a call from a rather famous miller in SC: Glenn Robert’s of Anson Mills. He had been reviving heirloom rice and other grains in South Carolina and wanted a good supply or Sonora for his pastry customers. He ended up buying most everything that I could grow for a few years, and used the Sonora from my farm to distribute these organic seeds to various groups and organizations in the Southwest. I feel a special connection to Sonora wheat growing now because of this. As these seeds all went through 7 or 8 of their generations right here on this farm that I tend and treasure. Because I believed in them enough to grow them even without an established market; only because I loved them. And wanted to sequester a heck of a lot of carbon. Next he got Sonora on Slow Foods Ark of Taste list. This wheat captured his heart too. Not everyone knows that all this Sonora wheat, so readily available today, from growers large and small and many of the heirloom grains that are available to us now are the result of Monica Spiller getting those 25 seeds in packets from the USDA seed bank in the early 1990’s and increasing them. Hand planting and hand harvesting with a scythe. Monica then went on to work with other farms here in the Capay Valley and this is how so many in Yolo County got started with the production of the heirloom grains. She is still active and working to get people to use whole grains : The Whole Grain Connection is her publication and organization.http://wholegrainconnection.org And yet, more than the the adventure in grain history and culture, the Sonora wheat represents something more significant within my psyche. And my vision of how to be a responsible steward of our earth, despite the significant change in the strata of my influence. The story up until that time of meeting Monica for me was rising from working within the sciences of agriculture to being a responsible and ethical business leader helping to create the foundation and initial product offerings within the organic and sustainable textile worlds. Using my knowledge and position as a entrepeneur and initial developer of the organic cotton industry in the US to help write the original textile processing standards for the Texas Department of Agriculture - headed by Jim Hightower, final regulations signed by Rick Perry. Leading by example at a global scale to create worldwide reciprocal agreements on textiles from local certifiers all the way to worldwide through cooperation with the International Federation of Organic Agricultural Movements - IFOAM.

But now, here I was. My exemplary business was closed down (along with every single one of the 38 visionary mills who created the organic textile industry) and I was camped out on a big farm ( that I was amazingly lucky to still have after all the losses) unable to even get financing to put a crop in. Business prospects gone with the entire collapse of the textile industry. But my commitment to being a positive force for the earth’s health remained my primary goal. So what exactly could I even do, under these more humble and humbling circumstances. I could follow the path of Monica Spiller. I could keep on keeping on. Focus on what I could do, instead of what could have been. I did actually have this farm, and a pretty cool travel trailer to sleep in. I had barns to put things in and I had my seeds and my mind and my body was still pretty strong in my mid 40’s. And just look at Monica working that hard in her late 60’s! OK, I said to myself, this is what I can do. I can keep trying with what I actually have. Keep planting my seeds, keep figuring out ways to pay for it all. And at least, on my own farm, sequester a heck of a lot of carbon. The angrier I felt about the world’s dye wastes being dumped on people unprovoked and undeserving of such distress (after so many mills had invested in the expensive and effective equipment that cleaned it all up, only to be shut down by the monstrosity of ruinous profiteering brands), the more determined I became about using the energy from those emotions to getting carbon into the soil, and in a form that would stay there. And if I could figure out a way to sequester a bunch of carbon without any crop financing, or the equipment other farms all seemed to have, well then maybe these systems would be more adaptable by the larger row crop farmers- the kind that grow the commodity crops such as wheat and cotton. The sorts of crops that represent most of the farmland in the nation. If you listen to the conversations these days about regenerative ag sequestering carbon, they depend quite heavily upon the tools developed by the organic vegetable and tree crop farmers. Cover crops and compost. All rather pricey inputs appropriate for the more valuable cropping systems that they arise from. I wanted to come up with ways that people growing these lower valued crops (cotton and wheat, for instance) could sequester carbon economically and quickly. Could I take the energy from the heartbreak of the collapsed textile industry (and my cotton's near future along with it) and use it to bury a bunch of carbon in the soils of this farm that I was and remain so incredibly fortunate to be able to tend? And harvest methods of sequestering carbon more universally adaptable to the commodity crop producers? And where did this audacious idea come from that one individual, by studying the land that they tend, could on their own research and develop methods of farming that restore life and vitality to the soil while producing a crop? Well, after all, it is the basis of the organic farming movement in the parts of the world where industrialization of agriculture was the expected direction of progress. The inspiring works of Sir Albert Howard, Rudolf Steiner and Wendell Berry and many of the other founders of the biological and organic farming movements that have become actual industries today. Born from the reality that everyone in production agriculture from university professors to the ag extension people to the bankers that financed it all said that farming without the cheap soil microbiome killing synthetic fertilizers and ag chemical pesticides was impossible. That no market existed for any products produced without these aids. But the elders of my day who started the organizations that legitimized organically produced products had used their minds and muscle and any finances at their disposal to not only figure out how to grow pretty much everything without these inputs, but also created an entire system of validating the authenticity of such claims with legally binding labeling systems. Organic Certification started out with farmer led clubs, which grew into organizations and finally into non profits operating under systems reciprocated and respected across borders and into other nations. So, this multiple decade exploration of how the Sonora wheat can sequester carbon began and continues. In an other past newsletter I geeked out on the numbers, but the take home was that for every pound of product that has been produced and has actually left this farm of mine, 15 pounds of carbon has been sequestered in it’s place. That is the conversation that I think needs to be considered - what is the ratio of carbon sequestered longterm in the soil to product removed from the farm. Sometimes I think about how they theorize that prions work. One form of the protein simply touches another and the one touched shape shifts into the form of the first one. Prions are not good- they are a degraded form that in the end gum up the works to the point of malfunction. But what if, most of the time, what actually goes on is the opposite? What has been my experience is that one person inspires the next person to keep on keeping on. What if each smile and kind word of encouragement is the sort of energetic equivalent to an anti prion? How it is that so many of us keep trying despite what appears on the outside to be impossible odds? Thank you Monica Spiller for inspiring me to try a different way . Thank you- everyone of you- who buys products from me, or from my courageous customers. All of which supports my work with the cotton and the work with these other plants whose growth improve the soil on this farm that I still get to breed these cottons on. Despite it all. Thank you for those who donate, large and small. Let’s keep on being the shape shifting catalysts that restore our soil, our atmosphere and our souls.

slow and steady: velvet rabbits transformed

Sally Fox

https://mailchi.mp/c4217893155d/slow-and-steady-velvet-rabbits-transformed?e=8827d243a2

link with images

In the Spring of 1993 The United Nations Environment Programme presented to my company an award (which I still treasure) for doing the hard technical and practical work involved in bringing these cottons of color into the commercial marketplace, where their environmental impact could make a difference in dye waste effluent discharge coupled with their reduction- or elimination of their need for agrochemicals. 
 


Another group receiving recognition at the ceremony were a group of textile scientists developing methods of recycling plastics into fibers suitable for yarn spinning. One of the scientists within this group, Dennis Sabourin, was working with Malden Mills, of Lawrence MA in developing a recycled version of their well known fabric named Polartec®. Aaron Feuerstein, the owner of this mill became famous in 1995 for keeping roughly 3000 workers employed when the mill was destroyed by a fire. Despite the fact that the customers - the big brands who purchased textiles - had begun their decimating exodus to the less regulated places of manufacturing. Hauling the toxic wastes that my customers had been cleaning so responsibly to peoples and lands who still suffer from the horrible pollutions of their waterways and soils.  Maulden rebuilt and kept it's skilled workforce. For another decade they heroically stayed open. But only 3% of the US textile industry managed to survive this disaster and Maulden Mills was not among them.



I never met Mr Feuerstein, but his wife Louise had her own design studio within Malden and had imported from Italy a very special velvet loom. She becomes interested in Foxfibre® and bought yarns from one of my spinning mill customers which she used to produce thousands of yards of beautiful upholstery weight velvets; I used to sell them retail to many home sewists. These were in lovely vintage designs of brown and green. In one of our regular telephone meetings I asked if she would be open to producing a new design, using the artwork of my friend Paula Teplitz, the designer of the image in my Foxfibre® Colorganic® logo. One that would introduce the color of my newest variety at the time, " Buffalo" the first of my Pima brown varieties that was long and strong enough to be spun into a finer yarn pure- that is without having to blend it with any white cotton- to get it to process at normal speeds. She said, absolutely yes and gave to us the specifications of the requirements of the image. 


Paula worked on designs for about 6 months and in the end sent to me, rolled into a tube, images that I loved dearly. There were two: foxes with rabbits and foxes with a cotton flower. I think that I spent too much time just gazing at the artwork. I finally got down to organizing the production of the yarns to be spun to the specifications required for the velvet loom's pile. And then, the financial catastrophes that were taking all of the textile industries down and out, in the parts of the world that I sold to, which happened of course to be the parts of the world where die waste effluents were regulated (The USA, the EU, and Japan) struck even Malden Mills. And Mrs Feuerstein had to close her studio and the loom was shipped away. This project shelved.

But the tube with the artwork was returned to me and I kept it as my visual treasure through all the twists and turns of fate that awaited me and these cottons of color and vigor. In the years that I camped out on the farm that I live upon now, in the tiny travel trailer, I kept the tube with the artwork inside with me- in the precious space that I should have kept clothes in, for fear that rats would get to it. I kept it safe and clean and I always wondered how it could be made into fabric.




When the pandemic hit and I realized that hey, I am in the age group considered rather vulnerable, I made a list of things that I really wanted to make sure got done. With or without me. I asked the research mill that I have been working with this past decade, North Carolina State University (NCSU) College of Textiles, if they thought that this gorgeous image could be formed on their jacquard knitting system. The Professor running the NCSU knitting lab at the time turned out to be the cousin of my local wonderful customer Myrrhia ( one of the original founding businesses within our local Fibershed) who had a Stoll computerized knitting machine. Leah Resneck was wonderful to work with and also loved Paula's images and had one of her students digitize it. I worked on getting the yarns spun for the project. The foxes would be composed of the 100% "Buffalo" brown that I had grown here at my farm. The rabbits and or cotton flowers would be the first use of the new color that I used to call "Sierra Sienna". But switched to calling "Saffron", to help me feel better about it's ridiculously high cost of production, under the challenges of the pandemic.



Leah tried different sizes and different patterns (cotton flowers versus rabbits) and I tried adding a few touches such as using the "Buffalo" inside the midribs of the leaf images, those sorts of things.
 


 

The velvet was designed to be made into a three dimensional construction, what is white in this fabric, would have been nothing at all, just a view down to the back of the velvet. In this image below on the left is the raw fabric and on the right is the same fabric washed to develop the color (warm water wash with washing soda added and warm dry in the dryer). The fabric shrinks a great deal as well;  while the color development process begins. Launderings after this first one are more subtle in their color intensification.

Every fiber in this fabric was organically grown, spun and knit in the US. Here is the breakdown of by whom and where. The foxes are 100% "Buffalo" brown grown on my own Viriditas farm here in Yolo County. The rabbits are a mix of "Saffron" grown here at Viriditas Farm and Pima cotton grown by Alvarez Farms in NM. The white in the background was upland cotton grown by the Texas Organic Cotton Marketing Coop and the green was a blend of my old green variety named "Palo Verde" grown by me back in 1995 on the farm that I once tended in Aguila AZ, before these cottons of color were quarantined there. Getting me to move once again. Blended with Pima cotton grown by Alvarez Farms in NM. Spun and knit in North Carolina.


The cost of producing this fabric was in another league because of custom spinning along with the digitizing and custom knitting at the research mill. In the end, though, the fabric was produced. And I was able to give a roll of the exact pattern, as designed by Paula, to her as a thanks for this incredible work of textile artistry. I am working with a sewing facility in San Francisco to produce baby blankets that I will be offering on the website as a thanks for donations to the breeding program. And I will have yardage available as well. Please do not be shocked by the price. It is a textile treasure. And while it is possible that someday, somehow, this will get picked up and produced by mills at scale at a more reasonable cost, this is what research textiles actually cost to produce. For the time being, there are just these yards that were so carefully and lovingly produced. It just took three decades.  


 

This month on the website by February 15th I will be adding new items such as this fabric by the yard. As well as it cut, edged and sewn in San Francisco into baby sized blankets. As well as many kinds of seed cottons that I think should bring joy to hand spinners. All as special thanks for donations to my breeding program.  Lints from the breeding program listing will be updated as well on the sales section as well. The much needed deluges of rain in January set me back a bit time wise. 

Thank you sincerely for your support of my work with these cottons. 


PS: Paula Teplitz's images brought nursery tales and old typing class pangrams to my mind- little mantras that have helped me keep going-  that I share as an aside with amusement.

I am hoping still -after all these years- to be able to pull the rabbit out of the hat and get these cottons to be used by the many because those of us so dedicated and determined never gave up believing in their magical qualities.

And how about the images of the brown foxes (and rabbits) will inspire us to keep trying to nimbly jump over the troubles that have dogged these cotton's rightful place in the textile industry? 

Sorry- I just had to write them down! Can you come up with some?



Historic Cotton Breeding Tours 2022

Sally Fox

The Extra Long Stapled Cottons hold a special place in the history of the textiles and in my heart.

In the world of fabrics we hear of Sea Island, Egyptian and Pima Extra Long Staple Cottons (ELS) quite a bit. Usually accompanied by a sigh of awe from those in the know. You may recall that the cotton fiber is a single cell that grows from the surface of the seed coat; imagine - a single cell one and a half inches long! This incredible cell/fiber grows from the maternal tissue on the surface of the seed. Which is why any cross pollination one makes does not express the mixing of parental traits until those F1 seeds are planted and the offspring plants produce seeds with their fiber growing from it. The ESL cottons are all members of one of the the species of cotton domesticated in the America's ( by people in what is now part of Peru at least 4500 BCE) : Gossypium barbadense. The fiber produced from this species sloughs off from the seed freely revealing naked seeds and up until the saw gin was put into use, mostly this species was grown as it was significantly easier to hand gin. With fiber lengths ranging from 1.25" to reportedly 2.5" the strong, fine and lustrous fiber was prized by spinners around the world.

Botanical historians wrote that when the expedition from Spain arrived in Hispaniola in October of 1492 that the people on that island had been cultivating the most abundantly grown cotton domesticated in the Americas:  Gossypium hirsutum(which has fuzzy or hairy- hirsute- seeds whose lint is harder to pull off by hand) for thousands of years already. But they had just imported and began growing theG. babadensecottons three years before. Which is how it happened that when the expedition returned to Europe with gifts of "cotton bowls" both of the species of cottons domesticated in the America's with extraordinarily spinnable fibers were represented. Swiftly these two species made their way to Asia via the silk road. Of course, people all along the way began growing them too. The fiber of both species reportedly being easier to spin than the two species that they had been growing for many thousands of years themselves. A deep dive into this history can be found by reading what historians at the time wrote about these cottons that were new to them. The Cotton Museum Cairo reference below has a treasure of such writings. 

G. barbadense  or ELS cottons with their superior fiber quality (as far as spinners are concerned) was unfortunately associated with lower yields and plants that demanded higher quality soils than the sturdyG. hirsutumvarieties that are grown in 90% of the world nowadays.  

By the 1990's some of the most senior cotton breeders managed to develop varieties of Pima and Sea Island grown in the high deserts of the southwestern US that began to bridge the yield gap without compromising the impressive fibers so loved by spinners. One of these breeders, Dr Carl Feaster used to visit me and my breeding nursery while I was in Arizona in 1993-96. This quiet, kind and humble octogenarian encouraged me at the very time that it mattered the most to me. In his youth, while employed by the USDA as a plant breeder his first task during WWII was to breed textile hemp for the military effort. He was proud to share that his varieties had stem fibers as fine and strong as linen. Next the USDA sent him to Arizona to join the Pima cotton breeding project. In the early 20th century the Goodyear Tire company had established the production of Egyptian Cottons in the Litchfield Park area west of Phoenix, AZ for use in tire manufacturing. The varieties that they developed became known as Pima cotton. Prior to the development of steel belt tires in the mid 50's, the extremely strong and long fibers of the ESL cottons were crucial. Also, these same cottons were used to clothe the first airplanes. In fact theSpirit of St Louiswas wrapped in Pima cotton fabric grown in Arizona.

Dr Feaster joined the effort when the industrial uses were fading and apparel and home furnishing textiles began utilizing these fibers more extensively. Yield improvements generally allow for a lower sales price and so yield without loss of quality is what became a focus. It took me sort of picking up a loose thread from the 80's to appreciate the magnitude of this team's accomplishments. And it is this very achievement that inspired me to plant this historically important cotton collection. And to offer tours of it.

Early in the beginning of my work with these cottons of natural color and vigor, the world of plant breeding was changing. The breeder that I first worked for was known for his advancements in breeding soil born disease resistant tomatoes and cotton varieties. The elders of the industry depended on their observational skills- noticing when particularly important qualities might be linked to something visible in the growing stage of the plant. In the books from the 19th and early 20th Century all sorts of linkages were discussed. An elongated boll shape was associated with a longer fiber. The rounded bolls so common inG. hirsutumassociated with short fiber. But the plant breeders of my generation were beginning to use statistics and computer analysis which opened up new systems of discovery that seemed to eclipse observational skills. Sometimes the ideas championed by the breeders of my age cohort seemed odd and counterproductive. Which led to worry and saddened some of the elder titans of the plant breeding world. Perhaps for this reason, the old fashioned observational approach that I used in my breeding program opened doors for me with these people of vast experience and knowledge. And maybe for this reason I was actually offered a paid job as a cotton breeder for the Sea Island Cotton Project in Barbados. The group was trying to find a way to produce cottons with lints longer than 2" in length, which were believed to be the standard prior to the US Civil War. 

A combination of insecurity due to my age and the fact that I came to cotton breeding from a biological control/pest management background left me unwilling to believe that I could be of any help in reviving the Sea Island cotton lengths of over 2" once grown. I sure was fascinated, but I would not be allowed to work on my naturally colored cotton program there, even on my own time. So, I sadly declined.

But I never stopped wondering about how a Sea Island seed line bearing a fiber of over 2" could possibly be restored. In 2014 I decided to request a series of historically importantG. barbadensevarieties that the USDA seed bank makes available for plant breeders. I planted 24 different seed lines from them in 2015 and watched them grow with great fascination. Some turned out to be not evenG. barbadense. Sea Island is a great marketing name, but Bulgarian Sea Island ended up being an upland cotton. Others were not that distinct from others. In the end I used many different lines to make a series of cross pollinations that I hoped would illuminate if by making the correct cross pollinations, extra length in fiber could be generated. And I self pollinated a few so that I could keep my favorite and most interesting historical lines going. 

These then are the basis of the cottons that I wish to share on tours with any of you who wish to visit my farm on the specific times and dates that I have opened up on the website. https://www.vreseis.com/shop/donation-historical-cotton-tour

These tours are the second of what I hope are creative offerings in the hopes of getting enough donations to fund the large improvements that I have made on the farm that should allow me to continue my work with these cottons for ten more years. The first offering remains the historical cotton F1 seeds for container plants that need to be kept away from frost. There are still some of these special seeds left. 

Among the memories that I hold most dear are walking my breeding nursery with the breeder of PimaS7 ( the most modern of theG. barbadense'son the tour), Dr Feaster. Who even in his 80's was still advising on the breeding of Pima cottons. Observing how he approached selecting individual plants, I learned more from how he seemed to experience the plants than anything ever said. 


 

References :  

https://www.thecottonmuseum.com/en/capitolo/4/The-Botany-of-Gossypium-Cotton-Egypt-Pima-Mont-Serrat-Sea-Island-Jumel-Giza-45-Giza-87-Karnak-Menoufi-Micronaire-and-The-Thread-Count/continua_avanti

https://www.nature.com/articles/srep17662 

https://www.euppublishing.com/doi/abs/10.3366/anh.1999.26.2.211

https://www.discovertheregion.com/arrival-of-goodyear-tire-rubber-co-1916-planting-cotton/

a last little footnote: 

One of the many cotton mysteries is that these cottons domesticated in the America's are tetraploids. That is they have 4 sets of chromosomes. In Gossypium barbadense two sets of the chromosomes come from a diploid (two sets of chromosomes) cotton whose seeds bear no lint native to the Americas (G. ramondii). The other two sets of chromosomes come from this fiber bearing cotton considered native to Africa and Asia:  G. arboreum. Still grown and treasured in Asia. G. hirsutum (upland, acala and 90% of cottons grown worldwide now) also include the lintless G. ramondii native to the Americas, but the other cotton domesticated in Africa and grown throughout Asia for millennia: G. herbaceum. These two species can be crossed and produce viable seeds. But the offspring tend to settle back into the forms of the parent species over the generations. From the very beginning of my work, forty years ago, I turned to the G. barbadense cottons to cross the first of the G. hirsutum brown cotton seed lines with in the hopes of improving the fiber quality.

Ten More Years?

Sally Fox

Forty Years Ago : https://mailchi.mp/33674b987881/forty-years-and-hoping-for-more?e=8827d243a2

Forty years ago my journey with these cottons  began when I found a paper lunch bag filled with caramel colored seemingly magical seed cotton in my boss's greenhouse drawer. 


I began telling some of the stories of this journey on social media (on Instagram they can be found @vreseis and on facebook under Foxfibre® Colorganic® ) beginning on December 26, 2020 marked with numbers beginning with 1.0. I had the goal of writing a post a day, pretty much no matter what, and stuck to it.  Until I got to the part where everything sort of fell apart for the industry(along with my business) which forced me to reimagine and reassess how I would go about bringing these cottons into industrial usability. Which indeed remains the focus of both the research and how and why I operate my business that funds it all. 

During this time of reflection my cousin Melanie Robertson was taking a film class at City College of San Francisco. The course assignment was to produce a short documentary and she proposed to her professor that she make my work the subject, as she had been following my storytelling on the series of social media posts (which of course are all still there, you just have to scroll way way back and look for the numbered ones). She worked with another student: Eduardo Maia, who edited it. They put together a film that ended up being shown at The Sonoma International Film Festival in the Environmental Shorts Division. They plan to do a longer version this Fall when I have new plants to show and it is not too hot to even think clearly (at least that is my excuse for having a hard time putting thoughts into words).

Here is the link to their work.  https://www.youtube.com/watch?v=H9LlOnR7KUY

Please don't take the percentage losses of the textile industry as exact, as I was more involved in the spinning portion of it. But the idea remains sound. All those mills around the world who had just invested millions of dollars installing equipment that cleaned up their dye waste enough to pass modern clean water standards were rewarded by their once loyal customers, with being dumped for products produced in places without such regulations. The very same parts of the world that also seemed to have lax labor laws. The results were far lower costs of production. The prices of the finished products did not become apparent to most consumers until "fast fashion" revealed what sort of profit margins the brands rather quickly became accustomed to and dependent upon.

Cotton such as this, whose color grows from within, no longer had any manufacturing advantage whatsoever. And within only a few years every one of the 38 mills around the world that I had been selling to closed their doors. My customers did not "move offshore". They tragically went out of business. As did I. The 1990's were a rough time.

I will be getting back to telling the story, from those rough times to the present later this summer.

This year, thanks to your support through purchases and donations, I have planted a wonderful breeding nursery on 6 1/2 acres. Included in it is a section that I will offer walking tours of covering the history of extra long staple cotton breeding. Beginning with Egyptian and Sea Island cottons and onto the Pima cottons of the 1990's. These cottons are precious to me because they were who I turned to to increase the spinning qualities of these cottons of color way back in the beginning of this work. I have come to love them and by growing them and observing what classical breeders worked towards over 100 years gives me inspiration. I would like to share these observations with you. Either in person or virtually. Tickets for the walking tours will be on sale on my website beginning in September. 

Lastly, it is my sincere hope and dream, that I will be granted more years of health so that I can continue to work with these cottons as a breeder. In order to keep at this, though, things really must be easier for me to manage as I age. This year I took out some hefty loans to invest in upgrading expensive pieces of equipment on my farm, with that goal in mind. The first was the Precision Weeding System, which made all the difference this season for me. The second was electrifying the ag well. Both of these improvements were a stretch. If anyone wishes to chip in, here is the link to the donation portal on my website : https://www.vreseis.com/shop/donate-to-the-breeding-program-1. As the bills exceed what revenues I can expect to see from what I am producing for sale to mills and what I offer retail on my website.

With that reality in mind I continually strive to come up with ideas for special gifts to send with particular levels of donations in the hopes of letting people know how grateful I am for the support shown in so many ways, over so many years. A fun new one is the F1 seeds that I now know will germinate. As they have grown so beautifully this year. Both in the greenhouse and in the field. If you have ever been interested in growing a specimen plant to keep alive for years (provided that you are in a non cotton growing area), this may be a fun gift for you. For as long as the plants do not experience a freeze, they will live on and on. Producing beautiful flowers and fiber for years. Here is a photo of what the F1 hybrid flowers in this group will look like.


Photos can be seen in the link

And lastly, I wanted to show what a difference this sort of precision weeding can make. Here it is with only the knives at work. When a skilled person is steering the system, so that the implements can get close to the seedlings, the effect is monumental. As with the normal cultivation system and my old equipment and a good 8" must be left open so as not to injure the cotton plants by accident.


Here is the second pass of the precision system.

Now take a look at what the field looked like a few years ago when I did not have such a system.



These plots in 2016 had been cultivated many times, but still had to be hand weeded, plot by plot. It was so exhausting and discouraging. and frankly, I am amazed that I was able to do it. But no way can I work like that anymore.



This is the 2022 nursery a few weeks after the second run through with the precision system. It was hand weeded once. There was a freak freeze on May 11, 2022 that killed any seedling that had emerged. Which is why there are skips. But there were enough seeds that had not sprouted yet to allow the breeding program to live on.



These special plants are growing beautifully now, and I post frequent updates on the crop on social media.

I will try to write newsletters more often. I realize that it has been quite sometime since I sent a mailing out.

Thank you again for supporting this work that I have been able to do for 40 years now. Hoping for ten more- wish me luck!

Sally

something wonderful : link to new newsletter

Sally Fox

https://us11.campaign-archive.com/?e=[UNIQID]&u=ae9bb3b647037abff47356ff1&id=58bae37d39

A few years ago I dove into debt to be able to produce some bales of my brown cotton called "Coyote" .


I told the long story of my trepidations in the newsletter that I sent out last spring entitled "For the Love of Socks". And yet, there was something more. That I could not share then. But do today, with great happiness.

Does anyone remember the Fieldcrest Cannon sheets that were produced and sold in the early 1990's? Well those sheets were my pride and joy because I designed that yarn, and it took me a good two years to do so. The design parameters were complex. The yarn had to be at a price point that kept the product within a particular price category. The yarn had to weave at speed, and the finished fabric had to withstand over 300 launderings. Of course it had to have a unique look and feel as well. I designed this yarn seen in the photo below. Once it went into production it was such a success that about half a million pounds of that yarn was spun for those sheets and towels. I am still sleeping on those sheets and I know a lot of other people who still have theirs. I think they have easily exceeded the 300 launderings.

A few years ago I was contacted by a manufacturer who had begun producing organic cotton sheeting here in the USA. And we discussed reviving these classics. The spinner that I work with now has different equipment than what my old yarn design was based upon. And this customer wanted more color saturation than what Fieldcrest was looking for back in the day. And now, unlike then, there is organic white cotton for it to be blended and woven with. Some of the same farmers who were inspired to try organic cotton farming because of my work back then formed an organic cotton cooperative that supplies mills here in the USA, as well as abroad. And so we began trying out my new yarn designs, built upon the previous success. Using 100% organic white cotton and more of my "Coyote" brown cotton than we used before. The time passed and with each weaving trial hope grew within me. This hope contributed to my decision to go out on the limb and produce that cotton. If this product was to launch, we needed that cotton to be on hand. And guess what? American Blossom Linens came through. And this newsletter is about announcing their Foxfibre® line of sheets to you.

Here are my sheets, 25+ years old and still going.

IMG_5490.jpg

Pictured below here I am at the mill that spun the yarn for these new American Blossom Linens Foxfibre® sheets just last summer, feeling honored to be bringing something back that never should have gone out of production.


Thrilled to be working with some of the same people who produced those original sheets. Who now work at the few mills that managed to survive the decimation of the textile industries in the US, Japan and Europe in the late 1990's.

So, if you are in the market for sheets that I helped design using my cotton here is the link : https://americanblossomlinens.com/pages/fox-fibre . Today the trial run of this line has launched on their site. If you chose to place an order and use the code : SallyFox15 you will receive 15% off of your order plus they will send my breeding program 15% . This is an amazing thing for a retailer to do, as it paves the way toward financial stability for the research going forward.

Thank you sincerely for caring about this cotton and my work with it.

Sally

FoxFiber-Sally-2048x1363-1.jpg

Carbon sequestering going on here at Viriditas Farm

Sally Fox

I was hoping that this year would give me time to catch up a bit. After all, the late rains kept me from planting a proper breeding nursery on my farm. And I was going to use all this time to set up the non profit organization (vs the de-facto one t…

I was hoping that this year would give me time to catch up a bit. After all, the late rains kept me from planting a proper breeding nursery on my farm. And I was going to use all this time to set up the non profit organization (vs the de-facto one that I operate) that you all sent good names in for me to contemplate. THANK YOU! I kept hoping to be writing an announcement of it's opening. But, well, see, here we are mid December and I am only now sitting down long enough to begin the regular newsletter.

It seems that this was the year for wells on my farm to become inoperable. Either floods shorted power out, or decades of minerals finally clogged the perforations in the agricultural well casing, but water although abundantly abundant last Winter, has remained something that has taken me a great deal of time and money to pump and transport to crops and the sheep pretty much every single day this year. The illusion of "time to get organized" evaporated right along with the cash flow required to pay a lawyer to set the thing up.

Yet, I digress from the real reason that I am sending this out at long last. I am going to toot our own horn about the documented carbon sequestered on this farm that I have been privileged to steward these past 19 years, thanks to the support of all of you.As many of you know, we have a Fibershed organization that I am a founding member of. They have been supporting, among producer members, the quantification of soil carbon sequestering on our farms and ranches. Perhaps you are familiar with the term "organic" farming, but like me really never got why in the heck they decided to call it "organic" versus biological, or non toxic.... So, it turns out that that word organic was chosen because it was about building up the organic matter in the soil. That when the first synthetic fertilizers were invented and applied to farm land impressive yields of harvestable plant materials were gained. But the soils that had these compounds applied to them seemed to suffer from a reduction in organic matter content. The founders of the organic farming movement were extremely concerned with this and advocated that fertilizing materials applied should be derived from biologically active sources, not chemically synthesized ones. They also maintained that plants artificially stimulated by synthetic sources of nitrogen were more prone to insect pest attacks and that plant diseases had an easier time getting established. They promoted a system where soil health remained the most important component of farming. Stewarding and increasing the soil organic matter (SOM) remains the foundational requirement of all of the organic farming standards. On my farm, I have been documenting my efforts to increase the SOM at every single organic inspection that I have had on this farm that I began tending in 1998. Before this farm here in the Capay Valley of California, I was increasing the SOM of the organic farm in Aguila, AZ. And before that I was documenting my efforts to increase the SOM on the first farm that I had the great privilege of owning (thanks in no small part to my siblings lending the money to me to purchase) in Kern County, CA. This foundational work is done by all organic farmers. 

We may make our best efforts to increase our SOM, does this mean that we succeed?

Our Fibershed organization paid for a soil scientist to test and analyze our SOM every year to figure out if indeed we are making progress. This year was my first with them. It was meant to establish a baseline. And for all of us participating in this program, we will have our soils tested every year and this will help inform us about the usefulness of our methods. Whether we be organic farmers, or ranchers using some tried and true methods that organic farmers have been perfecting for a few generations already. 

I received the first set of results a few months after the testing and it was revealed that the SOM of the soil tested in this particular 40 acre field was 2.6%. Which is not high for soils back east, or even in the midwest, but for our arid western lands, this was a marked increase over the expected ( and what my soil was registered as in the historical data) 1% normal for my soil type. And so what does an increase in organic matter of 1.6% actually mean in terms of carbon sequestered over these 19 years. 

Here is the data portion of the results: 
  

ProducerField# of SamplesDepth (cm)Avg. Bulk Density (g/cm3)Avg. Total Carbon (%)Total Carbon Range (% variance)Avg. Inorganic Carbon (%)Total Organic Carbon (%)Avg. SOM (%)Avg. Carbon Content (kg/ac-15cm)
 

Sally FoxSonora Wheat30-150.9941.680.2380.1561.522.6220232.93

Sally FoxSonora Wheat315-301.390.2160.1801.212.0916122.50

Sally FoxSonora Wheat330-450.830.1370.1970.631.098420.41


For the Sonora Wheat Field, your total carbon per acre, down to a depth of 45cm, is 44,775.84 lbs. In other words, every acre of this particular field has trapped the equivalent amount of carbon contained in 8,353.86 gallons of oil.

Best,
Kelsey Brewer

 

-- 

Kelsey Brewer

Agroecology Assistant Research Specialist - Gaudin Lab

Department of Plant Sciences - University of California, Davis


So, if my SOM started at 1% and now it is 2.6% perhaps I did not sequester all that carbon. I would need to back out what I started with 19 years ago when I purchased the farm.

Heather Podoll (Fibershed's soil specialist)  approached it this way. We subtracted the carbon originally there in all three profiles and got this : 8420.41 kgs/acre x 3 = 25,261.23 kg/ac  So, if the entire profile is 44,775.84 kg/acre- 25,261.23 kg/acre = 19,514.61 kg/acre of carbon that was sequestered over and above the baseline that I began with. And when I multiplied the number of acres handled the way the field tested was I get 40 acres x 19,514.61 kg/acre = 780,584.4 kg from that one field. In pounds that is: 1,720,894 lbs of carbon. 

To put this in perspective Heather brought up the Paris Climate Accord's soil carbon sequestering goal of 4 per mille per year for agricultural soils. As it is not only about reducing the carbon released into the atmosphere, but grabbing that carbon already out there and bringing it back into the soil and getting it out of the atmosphere. When Heather did the math for my farm using this data she got 30 per mille per each of these 19 years. 

Now that is something, isn't it? I could almost hear my mother saying :  "imagine!" 

Next I added up roughly all of the products produced and sold off of those 40 acres for the 19 years that I have been here trying to breed the cotton, farm and tend the sheep. This is the sort of wild part, as the cotton breeding nursery removes very little from the land, and so most of the cotton that I grow gets incorporated back into the soil. The sheep...well they are wool sheep and primarily it is only their wool that leaves this farm. And my merino's produce a very fine wool and not much of it per animal. And the hay that I grow on these 40 acres is fed to them. The heirloom wheat- Sonora- grows vigorously- producing copious root material in quantities equivalent to what perennial grasses produce, not the annual that it is. And 70% of the root material of crops produced can be sequestered. Sonora...well I have averaged 600 lbs of grain per acre all these years along with copious roots and long stems.  Those stems have been eaten by the sheep and incorporated back into the soil as well.

Email me if you want to see the actual figures, but my estimate in pounds of the total products grown here that have left this farm in the the form of fiber (fleeces, yarns, seed cotton) and grain (heirloom wheat. milo)  these 19 years on these 40 acres that were tested comes to a measly 111,210 lbs . Hay grown here has been fed to the sheep, so it has not left the farm.

Divide the pounds of product that has left the farm with the pounds of carbon sequestered over and above what was in the soil when I came here one gets: 15.5 lbs of carbon sequestered per pound of product that I have sold or am offering for sale.

Now, this 15.5 lbs of carbon per pound of wool, or cotton or flour from my farm is not comparable to other  producers. And this discussion is not really finished with unless I calculate all the carbon that I released pumping water for the sheep to drink, along with the water to irrigate the cotton and alfalfa hay produced over these nearly two decades. But despite all the hype, the cotton only gets watered every two weeks and the Sonora wheat and ryegrass hay is not irrigated at all. The carbon used for those crops is only from the diesel used to power the tractor that did the reduced tillage required- thanks to the sheep eating all the stubble down after each crop. In a future newsletter I will look into those figures. And so clearly what I do on this farm does not resemble anything that a normal cotton, grain or sheep producer does. Even organic ones. Real shepherds produce way more wool, and most produce a lot of meat with their dual purpose breeds such as Rambouillet (this breed produces large fast growing lambs sporting good carcass weights and lovely wool, almost as fine as merino). Real organic row crop farmers produce 5 x's the amount of grain and cotton that I do- at the very least!  And to tell you the truth it normally bums me out and makes me feel, in general, rather embarrassed when I am around these productive people.

I like to comfort myself by imagining my toils to be that of a naturalist scientist self funding her research by selling these (modest in yield only) products from the farm. These fantasies keep me motivated and allows me to sort of hold my head up. Because among farmers and ranchers it is all about how much one produces, and how efficiently one produces it. I see others in their nice big trucks- that can haul trailers of sheep or products to market and sales. While my miserable yields keep me still limping along with my 1991 Toyota pick-up sporting 247,000 miles before the odometer went out. But hey, it has new tires and still gets 20 mpg and passes smog! When I bring sheep anywhere I consider myself very fortunate to be able to rent a truck and trailer from a neighboring organic farm. The financial ramifications of so much R&D on my farm is humbling, to say the least.

But then this data came in.  That is a whole lot of documented carbon sequestered. And I think that it shows that by using heirloom grains and by raising sheep responsibly, SOM can be built up considerably faster than what climate scientists thought was possible to even consider.

I am comforting my bummed wanna-be-farmer ego with these great carbon sequestering figures. I am looking at each skein of wool yarn, each fleece, each bag of Sonora wheat very very differently.  That 2 oz skein of Pioneer Yarn produced by A Verb for Keeping Warm? Just about 2 pounds of carbon - pulled down and out of the atmosphere! That skein of Elderlana wool - 4 pounds of carbon down into the soil! That cone of Sierra Sienna 10/2 yarn- 15.5 pounds of carbon - down deep in the ground! The 2 pound bag of Sonora Heirloom wheat flour that you bought last week-  31 pounds of carbon sequestered! How about savoring that little fact as you eat the shortbread cookies you make from that flour? 

For the Climate Beneficial Wool Fashion show we weighed my entry- the Persephone Tunic. When made with my wool and the cotton grown on this farm a whopping 22 pounds of carbon was sequestered! Sierra Reading (pictured below) not only modeled the piece she was also this entries co-creator. As she not only helped me with the sheep that produced the wool but for three generations of cotton helped me weed, tend the plants, pick and then gin this new cotton variety. That we decided to call "Sierra Sienna". 

I am thrilled to share these numbers with you on this last day of Fall. I am hoping that they do not give you the brain freeze that so far they seem to have produced among everyone else that I have shared them with.  

Thank you all sincerely for appreciating what I grow (ever so humbly by regular farmer and rancher's standards). Thank you for supporting my research by buying my products, and by donating to my efforts. For seeking my wholesale customers out and buying the incredible things that they make from the fruits of this farm and my life's work. Thank you for helping us take all this carbon out of the atmosphere and return it back into our of so precious earth. 

March 2016

Sally Fox

Greetings Customers and Supporters,

The pollution that can be caused by synthetic textile dyes is significant and preventable. So many of us who work with fibers are all too familiar with the problems, and we often wonder why there is not a larger commercial focus on solving this global menace. Even when they are responsibly disposed of, these chemicals must be put into  toxic waste dumps. And to dye cotton a good amount of water and power are required. Color is quite an expensive component of textile production.  Can we use less dye, water and power to achieve color in our textiles? My 35 year old breeding program aimed at commercializing organic colorful cottons to reduce dye use remains ready to be a part of the solution. I initiated this work because of a personal conviction that colors produced by the plant (or animal for that matter) were gorgeous and that these inherent colors would be appreciated and should be used whenever possible. That these cottons were naturally pest and disease resistant allowed me to breed and grow them organically and they indeed were the vehicle towards the larger organic cotton industry's genesis that took root in the early 1990's. The project grew into what my friends named and I trademarked: Foxfibre® Colorganic®. Along the way we discovered that one can use these cottons as a pre-mordanted base to achieve deep color penetration of dyes- both natural and synthetic. Reducing the amount of dye required to as little as 20% as for that needed to color white cotton. We also found that brown cottons have inherent fire resistance. Despite these technological breakthroughs, the original goal remains very far from being realized. This cotton has yet to hold it's place in commerce alongside other environmentally important developments in our work towards clothing ourselves with materials that honor our love of this earth.

The technical hurdles of transforming (utilizing classical plant breeding) the garden types of cottons grown for their beauty and medicinal values so that they are appropriate for mechanized organic farming, machine picking, industrial spinning, processing and laundering have been pretty much been accomplished. I funded this work by using all of my salary (from my paycheck as a working scientist not taken up by the cost of living in an inexpensive small town) that first decade. Then by utilizing the proceeds of the sale of the larger scale cotton produced in the second and third decade of the work. In the beginning the primary customers were hand spinners and then once yarns were made available from my testing at research mills, hand weavers became the core customers. By the late '80's a commercial mill from Japan bought the first bale I was able to produce and from there the business to the textile mills in the parts of the world where dye wastes were cleaned up grew rapidly. There were numerous, wonderful products that sold exceedingly well in the US - the Levi's Natural's Line, the LLBean Sweater, the Naturals line of sheets and towels manufactured and sold by Fieldcrest Cannon among others. I used the money generated from the sale of the cotton to pay for more extensive and expensive research and development of this ecologically critical product. For a few decades I had a really well funded absolutely fascinating diverse and amazing breeding and textile processing research program. From which great advances were made. Including significant improvements such as strong green and longer higher yielding browns and red ochre colors that were wash fast. All despite a sustained and profound attack from the conventional cotton industry requiring that I relocate farms and states a heartbreaking (not to mention bank breaking) two times.  Despite this, in the ’90’s the people working with me and the farmer’s growing these cottons for spinning mills were responsible for over 4000 acres of organic cotton production. We got the organic cotton industry going in the United States, which inspired others to try it all over the world. If it were not for the collapse of the textile industry in the places where dye waste clean up was mandated we would have kept growing and a major source of pollution in the world would have been reduced significantly. Because even though the yield of these colorful cottons are less than white cotton's (yes, it is expensive for the plant to produce color), the cost of dyeing and dye waste clean up are even higher. We were poised to transform textiles in a fundamental way. But quite tragically and rapidly we lost our textile industry in the US, Europe and Japan to the mills in the parts of the world where dye wastes were not cleaned up. What cost responsible mills between $2 and $3 per dyed pound of yarn or fabrics to clean up, these new mills simply dumped in their rivers. Punishing and poisoning the people, crops and living systems downstream. In the US we have only recently produced as much organic cotton as we did in 1995. And the naturally colorful component remains almost nil. This happened because the retailers dumped the good mills that had been supplying them with products, wonderful R&D and loyalty.  The US went from the number one textile manufacturer in the world to almost vanishing within a mere 10 years. And despite the sort of conventional wisdom at the time "that the manufacturers left the US to go to cheaper places offshore", what really happened was that the manufacturers lost their customers, and workers lost their good jobs, and iconic businesses closed. It was the retailers and big brand names who stopped buying from them because they could go offshore and get their products made for so much less money. And so, I lost the business of almost every single mill that had been buying this cotton, mills that were on the brink of incorporating through sound business principles a real and sustainable path towards cleaning up a major toxic textile waste product. All the while supporting organic farming of a rather large commodity crop. It was a devastatingly sad experience.

I have been funding my breeding program in such a modest  way this past decade (as compared to those days of a salary or good mill sales), but despite that it is alive and there is progress, albeit at a slower pace. It has been funded by the sales of products from my own farm many of which can be seen on my website : www.vreseis.com. and from financial gifts from caring individuals who have kept me and the research going by their generosity.

I believe that my life’s work is to get this cotton into commerce to reduce the pollution both on the farm and at the mill. I have been considering setting up a research institute in the hopes of getting financial support from foundations or the USDA (which is beginning to fund organic breeding programs- but so far only those associated with a University- but one can hope) for quite some time now and am making slow progress in that area. It is positively ridiculous that a project as important as this has been left behind as it has, being kept afloat only by me and the small group of individuals (who I thank sincerely) who are helping in any way that they can. To pull this off- commercializing this cotton, heavy work has been required breeding wise. And this work must be and has been informed by working with designers to create pull through. Research in and knowledge of textile processing from spinning mills though knitting, weaving, fabric finishing, cut and sew, retailing, and washing and light fastness under various conditions are all required of each potential variety. All of these tests require time and money.

So, how to proceed? I am generally so busy just doing the work of all this from the farming to filling the orders, that the way out of this often (setting up a Research Institute)  eludes me. And I keep thinking that some commercial project will catch on for one of my customers and that bales will get ordered and the commercial production will just fund the research again. But this has yet to occur. And really the research that I do ends up benefiting everybody who chooses to getting into this industry. For this reason the "Research Institute/Eco-Textile Incubator" idea resonates more and more.

This year thanks to the retail sales on my website I was able to pay for some excellent part time help on my farm, which  made such a fundamental difference to my mood. Having the help of two intelligent, talented younger people even just a few hours a week (thank you Sierra Reading and Maggie Smith) has made a huge difference. And thanks to a grant from the USDA NRCS and a generous gift from dear friends an irrigation system more efficient than drip -a center pivot that cannot blow into the highway - has been set up on my farm. 


But long term I remain hopeful that somehow a more secure way of funding this research will materialize. And so, should you have any ideas to share, please e-mail them to me. Should you know of foundations that would lend a helping hand or real grant opportunities, please let me know.

In the meantime, when you buy socks, cotton bolls, yarn or fabric from me, this is what you are in fact supporting. The research that I have kept going three and a half decades now founded on the belief that intrinsic color should be a foundation of our textiles, not just for those dedicated enough to seek it out. Thank you for believing in this cotton, and thank you for helping me stay the course with my work on it's behalf.

With gratitude,
Sally Vreseis Fox